Burnsley: November 2013

Rabu, 20 November 2013

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Only deal with the devil if you can resist his charms...

On the eve of her wedding with Mr. Wrong, Ella Emerson's cold feet lead her to the Catoctin Mountains, where a few days in the woods seems like the best way to clear her head. But when she’s attacked by an escaped convict, hiding out in the woods becomes more dangerous than she’d planned. And the convict isn’t the only one who’s looking for her.

Bounty hunter Ed Peters can’t believe his bad luck—the convict he’s trailing has run right into a police ambush. There goes payday—or maybe not. The beautiful woman in his sights has a $10,000 reward on her head, and she’s more than willing to let him collect: if he can keep her hidden until all the wedding guests leave town. Seems like easy money until the tension between them explodes into a passion neither of them expected, and Ed finds that what Ella really needs is a good spanking...

But when Ella returns home, Ed finds her difficult to forget, especially when he learns the dangerous truth about the man she’s decided to marry after all...

Warning: This book contains spanking and themes of dominance and submission.

Sales Rank: #816527 in eBooks
Published on: 2012-01-04
Released on: 2012-01-04
Format: Kindle eBook

Review
"....Mountain Devil is a fantastic spanking novel. Ed is a clear dominant whose tone is consistent throughout the book. I would definitely recommend [Mountain Devil] to anyone looking to escape into a tale that takes place in the woods and, at times, over the knee." ~ 4.5 Hearts ~ Bottoms Up Book Review

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3 of 3 people found the following review helpful.
Good Mountain Love
By Katie O'Connor
Sue Lyndon's portrayal of Ella, a young woman desperately fleeing an unwanted wedding drew me in immediately. Ella's plight is realistically portrayed, as is her reluctant attraction to the domineering bounty hunter Ed. Ella isn't sure she likes the way Ed dominates, and gently punishes her for rudeness, foul language and transgressions of his strict rules. But then, she isn't sure she doesn't like it either. As for Ed, Ella is a thorn in his side, and a burr on his heart.
Sue gives a believable glimpse into the loving world of a gently dominant man and his willing sub. You'll find yourself being pulled in and thinking that perhaps a loving spanking might not be bad at all.

I really enjoyed this story. It was the perfect steamy read to heat up a cool spring day.

2 of 2 people found the following review helpful.
Good story
By P. Phan
Overall, I thought Mountain Devil was a good story. It's about a young woman who runs away the night before her wedding and literally runs into a bounty hunter. She begs him not to return her to her family yet in hopes that her wedding will be called off. His incentive is that her family will increase the reward for her safe return. They agree for her to stay with him for 7 days and that's the beginning of their relationship and it continues with lots of spanking. I had no problems with the spanking scenes, but I just didn't connect to the main characters of Ed and Ella. Ed seemed a bit cold at times and Ella came off as weak and always crying. Maybe I just needed more character development to feel more of an emotional connection throughout the story.

0 of 0 people found the following review helpful.
This tale takes place in the woods and, at times, over the knee.
By BottomsUpBookReview
Ella Emerson is about to marry a man she despises and just can't bring herself to go through with it. Hours before her arranged nuptials she prepares a small pack to go hiking in the woods for a few days assuming that once the out of town guests have left, the wedding will be called off for good. She does not expect to be mugged in the woods by an escaped convict and she definitely doesn't expect the bounty hunter in pursuit of the convict to capture her for the reward money her parents have offered.

Ed, the dutiful bounty hunter, agrees to bring Ella to his cabin and hold her there for 7 days in hopes that the wedding will be called off instead of postponed and that the reward offered by her worried parents will increase. But, a lot can happen in seven days.....

Ella isn't in the cabin for 24 hours before Ed finds a reason to turn her over his knee for a sound spanking. Their relationship soon escalates into a romance and later into a marriage, but one thing that remains true from the get go: Ed wears the pants and calls the shots.

"Mountain Devil" is a fantastic spanking novel. Ed is a clear dominant whose tone is consistent throughout the book. While Jerry Maguire had his gal at "Hello," Sue Lyndon had me at this exchange:

"Buckle up, Ms. Emerson."

"You can call me Ella," she said.

"Fine. Buckle up, Ella." His voice was sarcastic. But then with more seriousness, he added, "And you can call me sir."

My only criticism of the novel is that I was initially somewhat confused as to when the story took place. Ella's wedding to Mr. Wrong is described as an arranged marriage of sorts, which led me to believe that the book took place many, many years ago. This assumption proves false with the mention of Ella's cell phone and had me adjusting my perspective. While this certainly is not a big deal, I think a small dateline at the start of the first chapter stating the time and place would go a long way.

This was a quick read that I thoroughly enjoyed. I would definitely recommend it to anyone looking to escape into a tale that takes place in the woods and, at times, over the knee.

Katerina of BottomsUpBookReview

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Sales Rank: #6148774 in Books
Published on: 2007
Binding: Paperback

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Senin, 18 November 2013

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For courses in Music Theory (a two-year sequence including sight singing and ear training) as well as separate Sight Singing courses.

Using an abundance of meticulously organized melodies drawn from the literature of composed music and a wide range of the world’s folk music, Ottman provides the most engaging and comprehensive Sight Singing text on the market.

Over fifty years ago, Robert W. Ottman set out to write a book that draws examples from the literature as opposed to being composed by the author. He proposed that students should work with "real" music as they study musical forms. The result was Music for Sight Singing. Not only is real music more enjoyable and interesting to sing than dry examples, but genuine repertoire naturally introduces a host of important musical considerations beyond pitch and rhythm (including dynamics, accents, articulations, slurs, repeat signs, and tempo markings). Several generations of teachers have also agreed that Ottman's ability to order his examples from the simple to the complex is another key to the book's long term success. Nancy Rogers, the book's new author, has added new vitality to the book, introducing exercises to develop creativity as well as to build basic skills.

Sales Rank: #60874 in Books
Published on: 2010-01-13
Original language: English
Number of items: 1
Dimensions: 8.98" h x .70" w x 6.35" l, 1.15 pounds
Binding: Spiral-bound
448 pages

From the Back Cover
Music for Sight Singing, 8/e is the best-selling book for Music Theory students. It features over 1700 examples, many drawn from “real music” that professors value and students enjoy singing. With the passing of author Robert Ottman, new author Nancy Rogers has added new vitality to the book, introducing exercises to develop creativity as well as to build basic skills.

About the Author

NANCY ROGERS is an Associate Professor of Music Theory at Florida State University. With research interests including music cognition and its pedagogical implications, Dr. Rogers has presented papers at national and international conferences, including meetings of the Society for Music Theory, the Society for Music Perception and Cognition, the International Conference on Music Perception and Cognition, and the Conference on Interdisciplinary Musicology. She was a keynote speaker at the 2009 Musical Ear conference held at Indiana University. Several recent publications may be found in Music Theory Online, the Journal of Music Theory Pedagogy, and Em Pauta.

Professor Rogers received her Ph.D. in music theory from the Eastman School of Music; she is a Mellon Fellow in the Humanities. She has served as President of Music Theory Southeast, Secretary of the Society for Music Theory, and Treasurer of Music Theory Midwest. Before coming to Florida State University, she served on the faculties of Northwestern University, the University of Iowa, and Lawrence University.

Most helpful customer reviews

46 of 51 people found the following review helpful.
Money Maker
By C. Zerbe
While this is an excellent book for sight singing examples. It is probably the worst example I know where the publisher and author are really just interested in maximizing their profits. This book is on its 8th edition. It seems to get revised about every three years. They add a few number examples, switch the text around a little and call it a new edition. This edition is 99% the same as the 7th edition. But know, all the students have to go out and pay for a new book because because there is a "new" edition. I wish some professor would just say - hey we are going to use the 7th or 6th edition. There are plenty of used copies floating around out there. Most the the "song" numbers are identical. unless you have to have this edition, save yourself some money and buy an older edition.

40 of 44 people found the following review helpful.
An excellent resource for developing an essential musical skill
By Craig Matteson
Typically, music students resist their music theory courses and enjoy the sight singing exercises associated with them even less. My experience as a student and as a teacher leads me to believe that this is usually because by the time the students first get around to learning this skill, they are already confident musicians on their instruments or have learned to sing some other way. To have to learn a new skill from scratch is disturbing and seems unnecessary to them. However, learning to sight sing brings many benefits.

Singing music helps one internalize the music more fully. One also develops a greater confidence with pitch than having it done in an instrument. It also helps one learn to sing through one's instrument - that is, to play even more musically. And by developing strategies to sing chromatic music, one has to think through the relationships within the piece. Once the skills are more fully developed, one can learn to come to terms with a new piece of music quite quickly. Therefore, one becomes not only more professional, the whole of one's musical experience deepens.

We used the second edition of Ottman's book when I was an undergrad in music in the late seventies and early eighties. This seventh edition is a much richer and more useable book. There are more than a thousand melodies, all nicely arranged to teach something specific. They are actual melodies from the literature rather than some abstract theoretical nothing. And there are lots of rhythmic exercises, so the student can gain skills in becoming more precise in rhythm and especially in rests (you know, letting the silence be silent). A new chapter with melodies from the 20th century is also a nice addition. The new edition also adds some exercises with structured improvisation for the student to experiment with his or her own melodies.

The spiral binding actually makes the book more durable and useable. It lays flat on your piano or music stand and the spine won't break and the pages won't be falling out. The print is crisp and clear which makes reading easy. This is important for a book you will be using in your theory courses for several terms.

Not only is this great for college students, I think high school and private music teachers would do well by their students to use this as part of their regular music lessons. Their students might fight it a bit (they always seem to), but they will become better musicians and more musical students if they develop the skill to sight sing.

17 of 19 people found the following review helpful.
criminally astronomical price
By JAB
I had to buy this book for a music skills class. It serves its purpose quite well. However, the extremely high price is, in my view, completely unjust. This is a prime example of theft by the college textbook industry, and is indicative of a larger problem: the intrusion of market values into higher education. Instead of ensuring that students receive a worthwhile and useful education in their chosen fields, the priority appears to be the extraction of as much money as possible from a segment of the population that is already at an economic disadvantage. It's a tragedy that our society has failed to provide its young people with an opportunity to enter into professional life free of debt.

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Jumat, 15 November 2013

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Where the Heart Is Letts, Billie

Sales Rank: #186334 in Books
Published on: 2011
Binding: Paperback

Most helpful customer reviews

0 of 0 people found the following review helpful.
Should Have Been Better
By patrick e bates
I really, really wanted this to be a great read. The storyline seemed to be a good one, the idea seemed like it would make a great story. But somewhere along the way, it just never lived up to that potential. Honestly, I thought this was going to be a good, entertaining story, but it just plodded along - never quite making it out of the "okay" rating pile.

But just so you know, the novel and the writing was good enough to keep me reading all the way to the end. I'm not sorry that I read it, but when I finally ended the story, I couldn't help but think back on all of the ways the story could have been good, perhaps great. Just didn't make it.

Patrick

1 of 1 people found the following review helpful.
A Celebration of the Spirit
By Gabby Hayze
I bought this book because I wanted to see how an author could realistically tell the story of a pregnant woman who is abandoned in a WalMart store and what happens to her after such a scary, disheartening event. I didn't think it could be done. I was wrong. Novalee Nation has absolutely nothing going for her when she is abandoned by the father of her baby while she's inside WalMart buying shoes to replace the ones that fell through the floor boards of the car she and her boyfriend were travelling in while she was napping. With a little luck and plenty of determination, Novalee not only gets through this experience, but she finds out just what she's made of in the process. She has no reason to expect anything but hard knocks considering how lightly those who should be closest to her play with and abuse her affection. But she has a way of reducing the most complicated circumstances to their simplest elements and works out a way not only to survive but find new people who are worthy of her love and respect. In depending on the kindess of strangers, she makes friends with a varied assortment of quirky characters who add to the charm of this book. The thing about this book is not only its heartwarming message about love, friendship, loyalty, and truth. It's that Billie Letts has made it all realistic and honest so that the message stays with you after the story is finished. Novalee Nation is a tribute to those who believe that God helps those who help themselves.

0 of 0 people found the following review helpful.
One of my favorite authors.
By Jill miller
Billie Letts is an American treasure. She writes about people of the Midwest and what she writes is true to life. Where the Heart is is my favorite of her books. It was a fantastic first book from a woman who only wrote 4 before she passed away. Read Where the Heart is!

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Minggu, 10 November 2013

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This brief text focuses on legal memo writing. Designed as a supplement for first-year legal writing courses, it provides students with information needed to write objective memos, opinion letters, and e-mails.

Sales Rank: #537185 in Books
Published on: 2014-04-04
Original language: English
Number of items: 1
Dimensions: 9.75" h x 6.75" w x .50" l, 1.08 pounds
Binding: Paperback
320 pages

About the Author
Oakes is Director of the Legal Writing Program at Seattle University School of Law.

Enquist is Writing Advisor, Seattle University School of Law.

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0 of 0 people found the following review helpful.
Five Stars
By Yunze Han
great!

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Senin, 04 November 2013

[K255.Ebook] Free Ebook The Unruly Woman: Gender and the Genres of Laughter (Texas Film Studies Series), by Kathleen Rowe

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Unruly women have been making a spectacle of themselves in film and on television from Mae West to Roseanne Arnold. In this groundbreaking work, Kathleen Rowe explores how the unruly woman—often a voluptuous, noisy, joke-making rebel or "woman on top"—uses humor and excess to undermine patriarchal norms and authority.

At the heart of the book are detailed analyses of two highly successful unruly women—the comedian Roseanne Arnold and the Muppet Miss Piggy. Putting these two figures in a deeper cultural perspective, Rowe also examines the evolution of romantic film comedy from the classical Hollywood period to the present, showing how the comedic roles of actresses such as Katharine Hepburn, Barbara Stanwyck, and Marilyn Monroe offered an alternative, empowered image of women that differed sharply from the "suffering heroine" portrayed in classical melodramas.

Sales Rank: #1266211 in Books
Published on: 1995-01-01
Original language: English
Number of items: 1
Dimensions: 9.02" h x .60" w x 5.98" l, 1.04 pounds
Binding: Paperback
282 pages

From the Back Cover
Unruly women have been making a spectacle of themselves in film and on television from Mae West to Roseanne Arnold. In this groundbreaking work, Kathleen Rowe explores how the unruly woman--often a voluptuous, noisy, joke-making rebel or 'woman on top'--uses humor and excess to undermine patriarchal norms and authority.

About the Author
Kathleen Rowe (now Kathleen Rowe Karlyn) is Professor of English and Director of the Cinema Studies Program at the University of Oregon.

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2 of 2 people found the following review helpful.
Unruly and Unruled
By Story Circle Book Reviews
In this intriguing study of women who deliberately inspire laughter by making spectacles of themselves, Kathleen Rowe shows us how rebellious women--loud, domineering, voluptuous, slyly self-deprecating--employ their performance personas to satirize, parody, and call attention to the cultural norms that shape women's behavior. Using two "unruly" women, the television star Roseanne Arnold and Miss Piggy, the Muppet, Rowe illustrates how comedic women create disorder by refusing to occupy their proper places, engaging in excessive behaviors (body size, language, exaggerated sexuality), and crossing the threshold of acceptable moralities in their relationships with others. In Arnold's case, Rowe says, she has the power to "name her own experience, to create herself":

"Perhaps her greatest unruliness lies in the presentation of herself as author rather than actor or comedian, and indeed as author of a self over which she claims control. 'Roseanne' is a persona she has created for and by herself."

Rowe also looks at unruly women in Hollywood film: the comic performances of Mae West, Katherine Hepburn, Barbara Stanwyck, Marilyn Monroe, and Cher, each of whom presents a different kind of unruliness--in the most interesting instances, parodies of the motifs that have been conventionalized in romantic comedy. Rowe also examines examples of men as unruly women, for example, in Some Like It Hot. "These comedic forms," she says, "hold out the promise of dissolving the barriers between the public and private, work and play, the social and the sexual." They also dissolve the barriers between the conventional and the marginal, and teach us how to laugh at what we often fear the most: the unruliness in ourselves.

For me, Rowe's analysis of Miss Piggy ("Pig Ladies, Big Ladies, and Ladies with Big Mouths") was the most interesting and illuminating, and I learned from her discussion of the carnivalesque. But for Rowe herself, Roseanne remains the most important figure, a "compelling example of the disruptive potential of the unruly woman" whose career and persona illustrate the "political power of women's laughter to 'bring down the house.'" In an afterword that explores the comedian's shifting presentations of body, style, language, and substance, she argues that it is these "metamorphoses" that reinforce Roseanne's "transgressive power." It is Roseanne and women like her who, by making unruly spectacles of themselves, allow us to see ourselves and the conventions that too often rule us. (Recommended for women's studies and culture/gender collections.)

by Susan Wittig Albert
for Story Circle Book Reviews
reviewing books by, for, and about women

0 of 0 people found the following review helpful.
A Feminist Examination Of Mae West
By R. M. Desjardins
Kathleen Rowe's "The Unruly Woman: Gender and the Genres or Laughter," published in 1995 is a university press publication that examines Mae West's contributions to the Feminist Movement and evaluates her role as a female icon of the twentieth century. This treatment of West is a typical academic text with good research of textual sources, but with little or no interviews and featuring theory that is hit or miss.

When Mae West was asked why she never wrote an article supporting the Feminist Movement she reportably drawled, "I was nevah asked....."

0 of 0 people found the following review helpful.
Very interesting challenge to the status wuo of women and humor
By Adelheid Mueller
Very much a work for a masters thesis. I was very much impressed with the research. It is an academic look at women and our still restricted acceptable behavior. Over the centuries it changed little and I am grateful for the women who try to break down the stereotype behavior society imposes on us.

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Sales Rank: #7145446 in Books
Published on: 2009
Original language: Multilingual
Binding: Hardcover

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